News & Updates — vintage footage

The Boss of the Blues, Big Joe Turner was one of the strongest voices one could ever hear. A great blues shouter, he could be heard and felt unamplified over the brass and beat. A Kansas City icon, he got his start as a singing bartender before ripping up that city's famed music scene, singing in jazz big bands and with boogie-woogie pianists, such as his successful partnership with Pete Johnson. He started making appearances in NYC in the mid '30s and recorded sessions all over the country. In the '40s he spent some time in LA singing on/for films...

Alto saxophonist, educator and activist Jackie McLean had a long career of quality hard-bop and post-bop jazz. He also played in modal settings and his alto sound could be as commanding as a tenor at times. His run on Prestige and Blue Note in the '50s and '60s is as classic as any of the hard bop era. He also made several appearances on albums by other Blue Note artists. From NYC, his father was a professional guitarist with Tiny Bradshaw but he passed away while Jackie was a child. He soaked up the bebop scene, hanging with Charlie Parker,...

One of the most inventive vocal stylists in all of jazz, Betty Carter not only brought a gift for radical improvisation, a "breathy" artful style at times and a hip scatting flow, but she also brought an independent spirit with her own Bet-Car record label, where she sold albums direct to fans and stores out of the trunk of her car. She grew up in Detroit and was singing in the nightclubs as a teenager, due to possessing a fake ID. Early experience with Dizzy Gillespie was a huge influence on her, as well as early encounters with Charlie Parker,...

Perhaps best known to casuals as the bassist of Cream, the Scottish virtuoso Jack Bruce in fact had a long and varied career that included rock, blues, jazz, classical, third stream, Latin, world music and fusion. He could play electric & upright bass, cello, piano, harmonica and was a singer/songwriter as well. Growing up listening to jazz, he studied classical cello and was kicked out of music school for playing jazz on the side. In the early '60s he toured Europe in a big band and joined the legendary Blues Incorporated in '62, which splintered off into the Graham Bond...

Most people may not know his name but they will know his work. Norman Whitfield is one of the most important producers of R&B/funk/disco due to his imaginative work with Motown and his later disco material. He was originally from Harlem but moved to Detroit as a teenager and started hanging around the Motown studios. As early as 1963 he was being credited as a songwriter and wrote for Marvin Gaye, The Velvelettes and the Marvelettes ("Too Many Fish In The Sea"). His 1966 breakout hit "Ain't To Proud To Beg" with The Temptations afforded him the role as their...