News & Updates — give the drummer some

One of the rumberos who helped the tradition thrive in NYC, Totico is best known for teaming with Carlos "Patato" Valdes. Born in Havana, he arrived in Boston in '59 and moved to NYC shortly after. He quickly found work as a percussionist, playing with Max Roach, Abbey Lincoln & Eric Dolphy on Roach's incredible Percussion Bittersuite album in '61. He also hooked up with Pupi Legarreta's charanga ensemble (check the Salsa Nova LP) before the absolute classic rumba album Patato & Totico on Verve ('68). The album features Arsenio Rodriguez and Cachao, and I love the killer version of...

The great Nuyorican percussionist, bandleader and composer Ray Barretto (Mr Hard Hands) retains a huge legacy, greatly influencing many percussionists and Latino jazz artists, and standing as a towering figure in the landscape of salsa music. He was checking out the bebop scene in the late '40s and honing his chops before getting the tap to play with Charlie Parker. He then worked in Tito Puente's band for four years in the late '50s. In the '60s he was a first-call percussionist for sessions at various jazz labels (Blue Note, Prestige, Riverside, etc), as well as playing with Herbie Mann....

Happy born day shout-out to Lincoln "Style" Scott, the great Jamaican drummer with Dub Syndicate, the Roots Radics (who became the Channel One house band around '79) and about a million Adrian Sherwood/On-U Sound projects. His earliest record appearances were with Sugar Minott ("Hard Time Pressure") and David Isaacs. In '78 he became drummer for Prince Far-I & the Arabs, who were also largely the same group as Sherwood's Creation Rebel. With the Radics he helped lay the foundation for what became known as dancehall music. He played with Gregory Isaacs (that's Scott on "Night Nurse"), Barrington Levy, Eek-A-Mouse, Bunny...

Despite the working name of "Joe Cuba", the conguero Gilberto Calderon was actually a Nuyorican who grew up in Spanish Harlem. Since the first album in 1962 and into the '70s, the Joe Cuba Sextet were a very important and influential band on the newer generation of Latino musicians. With the two-tongued vocal duo of Cheo Feliciano (singing in Español) and Jimmy Sabater (singing in English) they scored a bunch of smash hits and helped fuel the boogaloo craze of the mid-'60s, fusing the soul music influence with Afro-Cuban rhythms. The group's albums contained burning hot descargas, jumping boogaloos and...

Happy 4/20 birthday shout-out to the iconic Tito Puente! Best known as a Simpsons charact...haha just kidding! Among the Nuyorican musical greats, there has never been a dull moment with El Rey's brand of fiery and entertaining Latin jazz. His first notable pro gig was with Machito during WW2, before serving his own tour. After receiving medals as a "war hero" he started a nonet, The Piccadilly Boys, in '47. He led one of the great orchestras of the classic mambo era, often featuring percussion battles with Tito and top players on the scene. In 1960, his band was just...