News & Updates — Celebrate Icons

The greatest. Bassist, composer, Cuban music figure, master of the tumbao, inventor of Latin jazz, fine-tuner of the charanga, Israel López "Cachao" Valdéz was born in Old Havana, into a family of bass players. He grew up in the house that Jose Martí used to live in. He started at 8 on bongos, and was playing bass by age nine accompanying silent films. He received classical training and as a teenager joined Orquesta Filharmónica de La Habana, which included guest conductions by Stavinski & Villa-Lobos. He stayed thirty years with the orchestra. Along with his brother Orestes "Macho' López, he...

Here's a birthday nod to the late Tom Cora, improvising cellist of out-rock, free-jazz, underground experimental and avant-garde styles. He modified and prepared his cello, often playing it violently like a guitar and through loud amplification. From Richmond, Virginia, he was originally a drummer before moving to jazz guitar in the DC area. Picking up the cello in college, he studied with Karl Berger and moved to NYC in '79. He quickly joined the rising Downtown avant-garde/improv scene, touring with Eugene Chadbourne and forming Curlew with George Cartwright & Bill Laswell and others. In '82 he formed the improvising duo...

Happy birthday to that Peruvian songbird with the five-plus octave vocal range, Zoila Augusta Emperatriz Chávarri del Castillo, aka Yma Sumac. Not truly an Inca princess but her name does mean "beautiful" in Quechua and she became a '50s pop music icon. She started her singing career on the radio in '42 and made her first records the following year. After moving to NYC in the late '40s she signed to Capitol and proceeded to become one of the major stars of the "exotica" craze. In the early '50s she toured Europe, Africa, Asia, the Middle East and Australia. She worked...

British singer/songwriter John Martyn was my favorite kind of folkie: a guy who took in a lot of different influences (jazz, folk, rock, Caribbean, Middle Eastern, blues) and tried new things with them. From his funky rock-inspired stuff to the dub-washed material from his time hanging at Lee Perry's Black Ark to the later trip-hop material, you could always count on Martyn for some of the most experimental ideas of the Brit-folkers. Born to opera singing parents, his birth name was Iain David McGeachy. He was part of the fertile Brit-folk scene of the mid-'60s, along with Nick Drake, Bert Jansch,...

In keeping with my tradition of profiling underrated reedsmen, we have to give the birthday nod to Prince Lasha! Pronounced "la-shay", our subject came from Fort Worth TX, where he played in the high school band with future icons Ornette Coleman, King Curtis, Dewey Redman, Charles Moffett and John Carter. One of the great (if underknown) flautists in progressive jazz, his music sometimes displayed Eastern-tinged qualities He may remind some of Eric Dolphy, another multi-reedsman with whom Lasha collaborated, and he played alto sax and clarinet in addition to flute. (He also was a capable singer, as they say he...