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The first "folk" guitarist I got really into was John Fahey and his curious Takoma albums. Fahey's music combined blues, country, classical, avant-garde and finger-pickin' roots styles and other international folk musics all together. From dissonant to haunting, country blues to modal epics, it covered a lot worth hearing. Takoma was his label, started with money saved from his gas-pumping gig and it went on to be a very influential independent label, releasing many classics not only by Fahey, but also records by Bukka White, Robbie Basho, Leo Kottke, Canned Heat, Charlie Nothing, Bola Sete, George Winston and others. He...

One of the key figures in bridging the Afro-Cuban/mambo worlds with pop & soul, Willie Bobo was a major player long before he made records under his own name. He played congas, timbales, drum kit and was a charming singer and born performer. His '50s success with the likes of George Shearing, Tito Puente and Cal Tjader led to visibility for his own groups in the '60s. Those bands often featured electric guitar instead of piano, a sound that could range from bang-heavy descargas to sweet schmaltz, ultimately creating the template for boogaloo and Latin jazz to come. William Correa grew...

(Photo by Herman Leonard, 1948) Tenor genius, Oscar-nominated actor and cigarette fetishist Dexter Gordon had an incredible sound that inspired Sonny Rollins, John Coltrane and Jack Kerouac. Out of Los Angeles, he started on the clarinet as a teen before moving to alto. He finally switched to tenor around 1940. He was greatly influenced by Lester Young, whom he encountered in '43 in a jam session with Ben Webster. He received training from Illinois Jacquet as he toured early with the Lionel Hampton band. They made some recordings in Chicago in '41, Gordon's first. He worked in the bands of...

A birthday shout-out to the Man In Black, Johnny Cash! He was the first "country" artist I ever respected and I always loved his baritone voice and shuffling-yet-soulful '50s tunes. The fact that he did concerts for incarcerated people, opposed the Vietnam war and included topics (and actions) in respect to indigenous culture gave him a lot of real cred, in my opinion. His music had just the right amounts of country, rockabilly, gospel, blues, folk and even mariachi and he totally OWNED that Nine Inch Nails song. There was nothing artsy about his style, just a direct approach with...

Sandy Bull was one of my favorites of the '60s/'70s "folk" musicians, although his music was much, much more than your typical "folkie" thing. Playing a variety of stringed instruments (guitar, banjo, oud, pedal steel, etc), his music was informed by various international folk traditions, modal jazz, Indian ragas, classical, blues, gospel, psychedelia and even Chuck Berry! He sometimes had percussionists (such as Billy Higgins or Denis Charles) as well as his own system of live tape overdubs and rhythm-machines. Check out his early Vanguard albums for some early excursions into psychedelic world fusion! Bull's 1963 debut, Fantasias For Guitar...