News & Updates — Celebrate Icons

Here's some birthday recognition to one the most prolific and unsung musicians on the groovy music landscape, master percussionist Ralph MacDonald! Harlem-raised, his father was a musician from Trinidad & Tobago and the calypso and steelpan have always been with him. He played with Harry Belafonte from 17 until his mid 20s (including being the major artistic force behind Belafonte's 1971 Calypso Carnival album). That year he started his own publishing company and hit the big-time the next year with his composition "Where Is The Love" (recorded by Donny Hathaway and Roberta Flack, with Ralph on percussion). It was non-stop...

Here's a birthday shout-out to Sam "Lightnin" Hopkins, the influential blues great from Texas. He played both electric and acoustic guitars, but his first instrument was a home-made cigar-box "guitar" with chicken wire for strings. He was boogieing from the '20s (although didn't record until '46) until the '80s, mostly in Texas until 1960 when he played at Carnegie Hall for an integrated audience for the first time. (Pete Seeger and Joan Baez were also on the bill). In the period between he worked with his cousin Texas Alexander and even played with Blind Lemon Jefferson on at least one...

If you've heard Ethiopian music, the chances are that you've heard the bold tenor saxophone vibrato of Gétatchèw Mèkurya. Ever-present on the recordings of the '60s and '70s, much of which was found on the amazing Ethiopiques series, his career found a larger international audience in his later days with his work with the Dutch anarcho-punk band The Ex, Boston-based creative fusion ensemble Either/Orchestra, the group of Fendika, Indian singer Susheela Raman and others, and his music was sampled by K'Naan and Damian Marley. The native of Yifat, Ethiopia began his studies on the traditional instruments the krar and masenqo...

This entry into the series may well stand as one of the controversial ones, given not only some of the cheese that Les Baxter was involved with, but also for his role in the 1950's phenomenon of the white man's interpretation of "Jungle Drums", etc...as well as (unsubstantiated, and seemingly likely untrue when looking at it deeply) claims of compositional theft made by his understudies. But since it is my piece to write here, I am not going to flinch on calling myself a fan of Baxter's wacky arrangements, particularly in the field of "exotica" and exploito-film scores. Regardless of...

Soul-jazz organist Shirley Scott came out of the Philly scene to cut a ton of sides for Prestige, Moodsville, Impulse, Atlantic, Strata East, Muse, Cadet and more. Usually in either just an organ trio format or with an added horn (often her husband Stanley Turrentine), her records were a consistently grooving mix of bop, soul-jazz, gospel, standards, and pop & Motown covers, with the funk underneath and even some light Latin fare. Born and raised in Philadelphia, she first played trumpet and then piano before switching to organ when she filled in on a club gig, immediately loving the instrument....