News & Updates — avant-garde

The first "folk" guitarist I got really into was John Fahey and his curious Takoma albums. Fahey's music combined blues, country, classical, avant-garde and finger-pickin' roots styles and other international folk musics all together. From dissonant to haunting, country blues to modal epics, it covered a lot worth hearing. Takoma was his label, started with money saved from his gas-pumping gig and it went on to be a very influential independent label, releasing many classics not only by Fahey, but also records by Bukka White, Robbie Basho, Leo Kottke, Canned Heat, Charlie Nothing, Bola Sete, George Winston and others. He...

Sandy Bull was one of my favorites of the '60s/'70s "folk" musicians, although his music was much, much more than your typical "folkie" thing. Playing a variety of stringed instruments (guitar, banjo, oud, pedal steel, etc), his music was informed by various international folk traditions, modal jazz, Indian ragas, classical, blues, gospel, psychedelia and even Chuck Berry! He sometimes had percussionists (such as Billy Higgins or Denis Charles) as well as his own system of live tape overdubs and rhythm-machines. Check out his early Vanguard albums for some early excursions into psychedelic world fusion! Bull's 1963 debut, Fantasias For Guitar...

Perhaps the original "freak-folk" artist, the Bahamian musician & herbalist Tony McKay (aka "Exuma") was created from a lightning bolt and raised on Cat Island before moving to NYC in the late '50s. He participated in the Greenwich Village folk scene of the mid-'60s, hanging and playing with Dylan, Hendrix, Richie Havens, Peter, Paul & Mary and others. He released his first Exuma album in 1970 and proceeded to create his unique brand of psychedelic folk/funk/island pop with his Junk Band (sometimes members of the Blues Magoos), very much rooted in junkanoo and Obeah culture while also displaying the influence...

The should've-been-better-known out-jazz tenor player (and bass clarinetist) Glenn Spearman brought a powerful lyricism and fierce beauty to great records by Cecil Taylor, Emergency (a group he co-founded in Paris with Bob Reid), Raphe Malik, Marco Eneidi, Trio Hurricane, John Heward and William Hooker. He also worked with Rova Saxophone Quartet and his own groups, such as G-Force and his classic Interstellar Space-inspired duo album Night After Night with Don Robinson. He was a major part of the Bay Area avant-garde & out-jazz scenes beginning in the late '60s and was on staff at Mills College. I have seem him...

The innovative American psych-folk artist Tim Buckley has always been a cult favorite. His music ranged from straight folk and blue-eyed soul to weird jazz and psychedelic vocal experiments. A singer and multi-instrumentalist, he quit college to sign with Elektra and his records included some intense lyrical content, both dark, personal statements and anti-war & topical themes. His classic albums are Happy Sad, Lorca and Starsailor. He died of a heroin overdose at 28. One of my faves from Buckley, his weird side on full display: