Happy birthday to Elvin Jones! The amazing polyrhythmic "heavy bop" drummer from Detroit was already a seasoned veteran of many years before he ever hooked up with John Coltrane. His intense drumming style largely changed the swing dynamic in jazz to a more African-inspired one, subsequently influencing a million drummers along the way, including rock legends Ginger Baker (whom he has played with) and Mitch Mitchell (Jimi: 'my Elvin Jones"). He came from Detroit, son of an auto worker and youngest brother to well-known pianist Hank and trumpeter Thad Jones (both of whom he'd collaborate with professionally). He played in...

Happy birthday to one of the greatest soul men to ever live, the irreplaceable Otis Redding!

One of the great left-field albums came from former Buffalo Springfield bassist Bruce Palmer, with his seemingly unmarketable (at the time) Eastern-tinged folk-jazz oddity The Cycle Is Complete, released in 1970 on Verve to little fanfare and nearly no promotion. Palmer's only album as a leader, he was given complete artistic control only for him to come up with an unexpected psychedelic improvisational (almost in the realm of "spiritual-jazz" a la Pharoah Sanders) spacey folk record with members of Kaleidoscope, Caribbean percussionist Big Black and young Rick James (billed as "Rick Matthews"). Verve had no idea what to do with...

Happy birthday to the alto sax icon Marion Brown! He made so many great records, from the ESP Disks to the records with Gunter Hampel, the awesome early '70s trilogy (Afternoon of a Georgia Faun, Geechee Recollections and Sweet Earth Flying), some records for Freedom and Baystate and on and on. Plus he started his Sweet Earth label out of Western Massachusetts. He played with John Coltrane, Archie Shepp, Stanley Cowell, Harold Budd and others and was an educator and a fine artist (drawing, painting). I was fortunate enough to meet him in the '90s. His son Djinji was in...

The great jazz bassist Wilber Ware was born on this day. He only made one album as a leader but his unique style can be heard on many records, not the least of which are by Thelonious Monk. The Chicago native was largely self-taught as a bassist of unique and unorthodox talent. He dabbled with drums and banjo and sang gospel. He played in local swing bands in the '40s, as well as bebop. Some Chicago experience early on included work with Sonny Stitt, Roy Eldridge, Stuff Smith and he played on some early '50s recordings with Johnny Griffin and...